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“It made more sense when Brian May put Freddie in the tradition of Little Richard and said he screamed his passion.
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“He built a world for himself, a sort of a safe space,” says Rogan.
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Those notes came out of him and I don’t know where they came from.”Īccess unlimited streaming of movies and TV shows with Amazon Prime Video Sign up now for a 30-day free trial Sign up He said, ‘Bring the vodka,’ he pours himself a shot, knocks it down and then he props himself up, knocks another vodka back and then he went for it. “He was finding it hard to walk, even finding it hard to sit. “When he came in he wasn’t in a great state,” Queen’s guitarist Brian May recalls of the song’s recording in 1990, in a new BBC documentary detailing the closing chapter of Mercury’s life, Freddie Mercury: The Final Act. “I’ll face it with a grin,” he howled against the dying of the light, “I’m never giving in, on with the show.” Nor could they have known that his typically grandstanding vocal was delivered through alcoholic bravado, propped up against the microphone barely able to move. They’d seen how frail and thin he looked in the video for “These Are the Days of Our Lives” the month before, but not how he’d struggled to stand through the shoot, such was his incapacitating pain.
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We had brushes in our hands, we were putting paint on the canvas, but we weren’t saying, ‘Hey, you do this here and we do this there.’ It was kind of an instinctive interaction.“Inside my heart is breaking, my makeup may be flaking, but my smile still stays on.” When Freddie Mercury sang such lines of devastating personal collapse in “The Show Must Go On”’s video in October 1991, accompanied by archive footage of a lifetime of firebrand performances as Queen’s incomparable frontman, few fans imagined how close to home they fell. He continued: “It was like the art was separate and it didn’t want to be talked about – it just wanted to be done. When we brought a song in we didn’t say, ‘Oh, I’ve written this song about so and so’ …It was always like, ‘Here's the song, here are the words, the tune listen and let’s try to do this.’ … We never sat down and said, ‘What's this about? What are we trying to say here?’ It was all under the carpet, unspoken.” That was one of them, but I think he felt normal because the other area we didn't usually go into, and this might surprise you, is the meaning of the songs. We were very, very close – but there were areas that we weren't going to. When asked if he thought the lack of discussion was “strange,” the guitarist responded: “Yeah, it's true. And it was much later that Freddie came out and said, 'Look, you know what I'm dealing with, I'm sure.’” … e didn't have a conversation for a long time because it didn't seem to be appropriate. And if we jump forward, I guess, two and a half years or so, we started seeing Freddie suffering from something and we didn't know what it was. But was certainly in the back of my mind, and probably all of our minds for a long time. Freddie certainly didn't talk about it much. “But we didn't really talk about it much. “I remember we had a short discussion about it and thought it was something to watch out for,” May said.